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Sweet was portrayed as "slick", smooth and stylish; in contrast, most demons on the series were designed to be crude and ugly. Following Dawn's date, Buffy asks Giles to shoulder responsibility for disciplining her, much to his discomfort. So, where do we go from here? BUFFY, SPIKE Where do we go from here? An annotation cannot contain another annotation. At that time we … Press J to jump ... Posted by 40 minutes ago. Attinello, Paul; Halfyard, Janet; Knights, Vanessa (eds.) They spent three months in voice training. When does the end appear, Where do we go from here. Part 5. GILES, TARA So we sound our victory cheer Where do we go from here?. Why is the path unclear? Dawn starts to bemoan that no one seems to notice her ("Dawn's Lament"), but is soon seized by minions of Sweet (Hinton Battle), a zoot suit-wearing, tap-dancing, singing demon. from here, Buffy The Vampire Slayer Lyrics provided by SongLyrics.com. Anya describes her own duet "I'll Never Tell" as "a retro pastiche that's never gonna be a breakaway pop hit". [28] Two Buffy essayists note that Willow and Giles sing together at the start of the episode, but later Tara and Giles share a duet to express the diminished part each plays in their respective relationships. The song ends with chord influences from Stephen Schwartz's Pippin and a visual tribute to Disney: as Buffy stakes a vampire, it turns to dust that swirls around her face. Mitchell, Claudia; Reid-Walsh, Jacqueline (2008). Series Author: littleotter73 Disclaimers: Buffy the Vampire Slayer belongs to Joss Whedon and other companies. DAWN Where do we go from here?. As they sing "Understand we'll go hand in hand / But we'll walk alone in fear", they line up, hold hands, then fling each other's hands away in a piece of what Whedon calls "literal choreography". [6][7] Whedon knew he would have to write an entire score, which would take weeks or months. Whedon called the shot the "single greatest thing we ever did". These include Xander Harris (Nicholas Brendon), a young man without particular strengths or talents, but devoted to Buffy and her calling, and Willow Rosenberg (Alyson Hannigan), a young woman who has grown from a shy but gifted student into a strong woman and powerful user of magic. [21], "Once More, with Feeling" propelled the story arc for season six by allowing characters to confess previously taboo issues to themselves and each other. [12] This appears specifically in "Something to Sing About", which starts with uptempo platitudes: "We'll sing a happy song / And you can sing along: / Where there's life, there's hope / Every day's a gift / Wishes can come true / Whistle while you work ..." While singing, she kills Sweet's minions with a pool cue. Battle, a three-time Tony-winner, wore prosthetic make-up for the first time to give him a demonic red face. They began drinking and singing, demonstrating to Whedon that certain cast members had musical talents. Left to take care of Dawn after the death of their mother Joyce Summers (Kristine Sutherland) in the fifth season ("The Body"), Buffy has come to depend more heavily on Giles. Where do we go from here. approach practised by Ally McBeal, the Buffy musical was entirely organic to the series' labyrinthine progression." It is part of the fascination of "Once More, with Feeling", that we can, if we wish, choose to select our relationship with the text and dwell on a happy ending—or we can share the struggle of the characters. GILES The battle's done and we kind of won GILES, TARA So we sound our victory cheer Where do we go from here? It was written and directed by the show's creator, Joss Whedon, and originally aired on UPN in the United States on November 6, 2001. [13] Connie Ogle in The Miami Herald calls the songs "better and far more clever than most of the ones you'll hear on Broadway these days". [8], Whedon spent six months writing the music for "Once More, with Feeling". [30] In The Psychology of Joss Whedon, Mikhail Lubyansky writes that, although Buffy's first step toward re-engaging with her life is telling the Scoobies the truth in the song "Something to Sing About", she does not find meaning again until the end of the season. Giles forbids the gang to assist Buffy, so she goes alone, despite having no will to do so; eventually Giles and the Scoobies change their minds and leave to catch up. [16] In her opening number, "Going Through the Motions", Buffy sings that she feels as though she is playing a part: "nothing here is real, nothing here is right". Heh. 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